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Bailey, Nancy. "Margaret Laurence, Carl Jung and the Manawaka Women." Studies in Canadian Literature 2 (1977). 306-21.
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Baum, Rosalie Murphy. "Self-Alienation of the Elderly in Margaret Laurence's Fiction." Greta M. K. McCormick Coger (ed.). New Perspectives on Margaret Laurence: Poetic Narrative, Multiculturalism, and Feminism. Westport, CT: Greenwood, 1996. 153-60.
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Buss, Helen M. "Margaret Laurence's Dark Lovers: Sexual Metaphor, and the Movement toward Individualization, Hierogamy and Mythic Narrative in Four Manawaka Books." Atlantis: A Women's Studies Journal/Revue d'Etudes sur la Femme 11:2 (Spring 1986). 97-107. *
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Coldwell, Joan. "The Beauty of the Medusa: Twentieth Century." English Studies in Canada 11:4 (Dec. 1985) 422-437. *
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Curry, Gwen Cranfill. "Journeys toward Freedom: A Study of Margaret Laurence's Fictional Women." Dissertation Abstracts International 41 (1980). 244A. *
Darling, Michael. "'Undecipherable Signs': Margaret Laurence's 'To Set Our House in Order'." Essays on Canadian Writing 29 (Summer 1984). 192-203. *
Davidson, Arnold E. "Cages and Escapes in Margaret Laurence's A Bird in the House." University of Windsor Review 16:1 (Fall-Winter 1981). 92-101.
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Demetrakopoulos, Stephanie A. "Laurence's Fiction: A Revisioning of Feminine Archetypes." Canadian Literature 93 (Summer 1982). 42-57. *
Djwa, Sandra. "False Gods and the True Covenant: Thematic Continuity Between Margaret Laurence and Sinclair Ross." Journal of Canadian Fiction 1:4 (1972). 43-50.
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Eustace, John Clement. "'More Honourable Rites of Passage': From Resistance to Consolidation in the Fiction of Joyce Cary, Margaret Laurence, and Chinua Achebe." Dissertation Abstracts International 57:4 (Oct.1996). 1606A. *
Fabre, Michel. "L'Ange et l'eau vive: Reseaux metaphoriques et oppositions structurales dans The Stone Angel." Etudes Anglaises 35:1 (Jan. 1982) 57-70. *
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Florby, Gunilla. The Margin Speaks: A Study of Margaret Laurence and Robert Kroetsch from a Post Colonial Point of View. Lund, Sweden: Lund UP, 1997. *
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Githae Mugo, Micere M. "Visions of Africa in the Fiction of Chinua Achebe, Margaret Laurence, Elspeth Huxley and Ngugi wa Thiong'o." Dissertation Abstracts International 34 (1974). 5968A/69A. *
Githae Mugo, Micere. Visions of Africa: The Fiction of Chinua Achebe, Margaret Laurence, Elspeth Huxley and Ngugi wa Thiong'o. Nairobi: Kenya Lit. Bureau, 1978.
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Grace, Sherrill E. "Quest for the Peaceable Kingdom: Urban/Rural Codes in Roy, Laurence, and Atwood." Susan Merrill Squier (ed.). Women Writers and the City: Essays in Feminist Literary Criticism. Knoxville: U of Tennessee P, 1984. 193-209.
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Hales, Leslie Ann. "Spiritual Longing in Laurence's Manawaka Women." English Studies in Canada 11:1 (Mar. 1985). 82-90. *
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Harrison, James. "The Rhythms of Ritual in Margaret Laurence's The Tomorrow-Tamer." World Literature Written in English 27:2 (Autumn 1987). 245-252. *
Hartveit, Lars. "Form as Ideological Matrix: Margaret Laurence's Art as Short Story Writer as Illustrated in A Bird in the House." Jacqueline Bardolph (ed.). Short Fiction in the New Literatures in English: Proceedings of the Nice Conference of the European Association for Commonwealth Literature and Language Studies. Nice: Fac. des Lettres & Sciences Humaines de Nice, 1989. 165-72.
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Heidrick, Sandra Julia. "Margaret Laurence and the Feminine Identity in the Canadian Context." Dissertation Abstracts International 53:12 (June 1993). 4328A. *
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Holland, Patrick. "Water and Clay: Maurice Shadbolt's A Touch of Clay and Margaret Laurence's The Diviners." World Literature Written in English 21:2 (Summer 1982). 268-274. *
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Howells, Coral Ann. "Margaret Laurence: The Diviners and Audrey Thomas: Latakia." Canadian Woman Studies/Les Cahiers de la Femme 6:1 (Fall 1984). 98-100.
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