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The Beatles - LP Albums Releases in US, UK: 22 in 7 years - Following this list is a comprehensive, detailed  list.

Legend: "diff" means the British and American versions have a different compilations.
_____________________________________
1. Please Please Me - UK 22mar63
2. Introducing The Beatles - US 22jul63
3. With The Beatles - 22nov63
4. Meet The Beatles - US 20jan64
5. The Beatles Second Album - US 10apr64
6. A Hard Days Night - US26jun64, UK10jul64 diff
7. Something New: US 20jul64
8. Beatles For Sale - UK 4dec 64
9. Beatles 65 - US 15dec64
10. The Early Beatles - US 22mar65
11. Beatles VI - US 14jun65
12. Help! - 6aug65 (US13aug65 diff)
13. Rubber Soul - 3dec 65 (US6dec65 diff)
14. Yesterday & Today - US 20jun66
15. Revolver - 5aug66 (US8aug66 diff)
16. A Collection of B Oldies - UK 9dec66
17. Sgt Pep. - 1jun67 (US2jun67)
18. The Beatles - 22nov 68 (US25nov68)
19. Yellow Submarine - US 13jan69, UK 17jan69
20. Abbey Road - 26sep69 (US1oct69)
21. Hey Jude - US26feb70
22. Let It Be - 8may70  (US18may70)

(On Jul 16, 63, recorded 18 songs in one day)


================================================================================================================

Beatles albums (vinyl and CD Discography) with US and UK release dates compiled by Dave Haber

Please Please Me

     Parlophone PMC 1202; PCS 3042 - March 22, 1963
     (CD) Parlophone CDP 7 46435 2 - February 26, 1987
     Capitol CLJ 46435 - July 21, 1987

     LP Side 1
     I Saw Her Standing There
     Misery
     Anna (Go To Him)
     Chains
     Boys
     Ask Me Why
     Please Please Me

     LP Side 2
     Love Me Do
     P.S. I Love You
     Baby It's You
     Do You Want To Know A Secret
     A Taste Of Honey
     There's A Place
     Twist and Shout

Introducing The Beatles

     VeeJay VJLP 1062
     July 22, 1963

     Side 1
     I Saw Her Standing There
     Misery
     Anna (Go To Him)
     Chains
     Boys
     Love Me Do

     Side 2
     P.S. I Love You
     Baby, It's You
     Do You Want To Know A Secret
     A Taste Of Honey
     There's A Place
     Twist And Shout

------ charts: Billboard #--, Cash Box #--, Record World #--

With The Beatles
 

     Parlophone PMC 1206; PCS 3045 - November 22, 1963
     (CD) Parlophone CDP 7 46436 2 - February 26, 1987
     Capitol CLJ 46436 - July 21, 1987

     LP Side 1
     It Won't Be Long
     All I've Got To Do
     All My Loving
     Don't Bother Me
     Little Child
     Till There Was You
     Please Mr. Postman

     LP Side 2
     Roll Over Beethoven
     Hold Me Tight
     You Really Got A Hold On Me
     I Wanna Be Your Man
     Devil In Her Heart
     Not A Second Time
     Money

Meet The Beatles

     Capitol (S)T 2047
     January 20, 1964

     Side 1
     I Want To Hold Your Hand
     I Saw Her Standing There
     This Boy
     It Won't Be Long
     All I've Got To Do
     All My Loving

     Side 2
     Don't Bother Me
     Little Child
     Till There Was You
     Hold Me Tight
     I Wanna Be Your Man
     Not A Second Time

------ charts: Billboard #1, Cash Box #1, Record World #1

Introducing The Beatles

     VeeJay VJLP1062
     January 27, 1964

     Same as July 22, 1963 release except Love Me Do and
     P.S. I Love You were replaced by Ask Me Why and
     Please Please Me.

------ charts: Billboard #2, Cash Box #2, Record World #1

The Beatles with Tony Sheridan and Their Guests

     MGM SE-4215
     February 3, 1964

     My Bonnie
     Cry for a Shadow
     When the Saints Go Marching In
     Why
     (additional tracks by Tony Sheridan and the Beat Brothers; the Titans)

------ charts: Billboard #68, Cash Box #43, Record World #--

Jolly What! The Beatles and Frank Ifield On Stage

     VeeJay VJLP 1085
     February 26, 1964

     Please Please Me
     From Me To You
     Ask Me Why
     Thank You Girl
     (additional tracks by Frank Ifield)

------ charts: Billboard #104, Cash Box #73, Record World #--

The Beatles Second Album

     Capitol (S)T 2080
     April 10, 1964

     Side 1
     Roll Over Beethoven
     Thank You Girl
     You Really Got A Hold On Me
     Devil In Her Heart
     Money
     You Can't Do That

     Side 2
     Long Tall Sally
     I Call Your Name
     Please Mr. Postman
     I'll Get You
     She Loves You

------ charts: Billboard #1, Cash Box #1, Record World #1

The American Tour with Ed Rudy (Ed Rudy interviews the Beatles)

     Radio Pulsebeat News Documentary No. 2
     June 9, 1964

     (phone interview)

------ charts: Billboard #20, Cash Box #55, Record World #32

A Hard Day's Night

     United Artists UAL 6366, UAS 6366
     June 26, 1964

     Side 1
     A Hard Day's Night
     Tell Me Why
     I'll Cry Instead
     I Should Have Known Better (Instrumental)
     I'm Happy Just To Dance With You
     And I Love Her (Instrumental)

     Side 2
     I Should Have Known Better
     If I Fell
     And I Love Her
     Ringo's Theme - This Boy (Instrumental)
     Can't Buy Me Love
     A Hard Day's Night (Instrumental)

------ charts: Billboard #1, Cash Box #1, Record World #1

A Hard Day's Night
     Parlophone PMC 1230; PCS 3058 - July 10, 1964
     (CD) Parlophone CDP 7 46437 2 - February 26, 1987
     Capitol CLJ 46437 - July 21, 1987

     LP Side 1
     A Hard Day's Night
     I Should Have Known Better
     If I Fell
     I'm Happy Just To Dance With You
     And I Love Her
     Tell Me Why
     Can't Buy Me Love

     LP Side 2
     Any Time At All
     I'll Cry Instead
     Things We Said Today
     When I Get Home
     You Can't Do That
     I'll Be Back

Something New

     Capitol (S)T 2018
     July 20, 1964

     Side 1
     I'll Cry Instead
     Things We Said Today
     Any Time At All
     When I Get Home
     Slow Down
     Matchbox

     Side 2
     Tell Me Why
     And I Love Her
     I'm Happy Just To Dance With You
     If I Fell
     Komm, Gib Mir Deine Hand
 

------ charts: Billboard #2, Cash Box #2, Record World #2

The Beatles vs. The Four Seasons

     VeeJay VJDX 30
     October 1, 1964
     Record 1
     The Same as January 27 1964 release of VJLP 1062

     Record 2
     The Four Seasons

------ charts: Billboard #142, Cash Box #--, Record World #--

Ain't She Sweet, The Beatles

     ATCO SD 33-169
     October 5, 1964

     Ain't She Sweet
     Sweet Georgia Brown
     Take Out Some Insurance On Me, Baby
     Nobody's Child
     (additional tracks by the Swallows)

------ charts: Billboard #--, Cash Box #--, Record World #--

Songs, Pictures And Stories Of The Fabulous Beatles

     VeeJay VJLP 1092
     October 12, 1964
     Same track listing as January 27 1964 release of
     VJLP 1062

------ charts: Billboard #63, Cash Box #100, Record World #79

The Beatles Story

     Capitol (S)TBO 2222
     November 23, 1964
     Mostly Narration with interview and song snippets

------ charts: Billboard #7, Cash Box #7, Record World #13

Beatles For Sale

     Parlophone PMC 1240; PCS 3062 - December 4, 1964
     (CD) Parlophone CDP 7 46438 2 - February 26, 1987
     Capitol CLJ 46438 - July 21, 1987

     LP Side 1
     No Reply
     I'm A Loser
     Baby's In Black
     Rock And Roll Music
     I'll Follow The Sun
     Mr. Moonlight
     Kansas City/Hey Hey Hey Hey

     LP Side 2
     Eight Days A Week
     Words Of Love
     Honey Don't
     Every Little Thing
     I Don't Want To Spoil The Party
     What You're Doing
     Everybody's Trying To Be My Baby

Beatles 65

     Capitol (S)T 2228
     December 15, 1964

     Side 1
     No Reply
     I'm A Loser
     Baby's In Black
     Rock And Roll Music
     I'll Follow The Sun
     Mr. Moonlight

     Side 2
     Honey Don't
     I'll Be Back
     She's A Woman
     I Feel Fine
     Everybody's Trying To Be My Baby

------ charts: Billboard #1, Cash Box #1, Record World #1

Ed Rudy with New U.S. Tour (the Beatles Great American Tour)

     Radio Pulsebeat News L-1001/1002 (News Documentary No. 3)
     1965

     (phone interview)

------ charts: Billboard #--, Cash Box #--, Record World #--

The Early Beatles

     Capitol (S)T 2309
     March 22, 1965

     Side 1
     Love Me Do
     Twist And Shout
     Anna (Go To Him)
     Chains
     Boys
     Ask Me Why

     Side 2
     Please Please Me
     P.S. I Love You
     Baby, It's You
     A Taste Of Honey
     Do You Want To Know A Secret

------ charts: Billboard #43, Cash Box #24, Record World #29

Beatles VI

     Capitol (S)T 2358
     June 14, 1965

     Side 1
     Kansas City/Hey Hey Hey Hey
     Eight Days A Week
     You Like Me Too Much
     Bad Boy
     I Don't Want To Spoil The Party
     Words Of Love

     Side 2
     What You're Doing
     Yes It Is
     Dizzy Miss Lizzy
     Tell Me What You See
     Every Little Thing

------ charts: Billboard #1, Cash Box #1, Record World #1

Help!

     Parlophone PMC 1255; PCS 3071 - August 6, 1965
     (CD) Parlophone CDP 7 46439 2 - April 30, 1987
     Capitol CLJ 46439 - July 21, 1987

     LP Side 1
     Help!
     The Night Before
     You've Got To Hide Your Love Away
     I Need You
     Another Girl
     You're Going To Lose That Girl
     Ticket To Ride

     LP Side 2
     Act Naturally
     It's Only Love
     You Like Me Too Much
     Tell Me What You See
     I've Just Seen A Face
     Yesterday
     Dizzy Miss Lizzy

Help!

     Capitol (S)MAS 2386
     August 13, 1965

     Side 1
     James Bond Theme (Instrumental)
     Help!
     The Night Before
     From Me To You Fantasy (Instrumental)
     You've Got To Hide Your Love Away
     I Need You
     In The Tyrol (Instrumental)

     Side 2
     Another Girl
     Another Hard Day's Night (Instrumental)
     Ticket To Ride
     The Bitter End/You Can't Do That (Instumental)
     You're Gonna Lose That Girl
     The Chase (Instrumental)

------ charts: Billboard #1, Cash Box #1, Record World #1

Rubber Soul

     Parlophone PMC 1267; PCS 3075 - December 3, 1965
     (CD) Parlophone CDP 7 46440 2 - April 30, 1987
     Capitol CLJ 46440 - July 21, 1987

     LP Side 1
     Drive My Car
     Norwegian Wood (This Bird Has Flown)
     You Won't See Me
     Nowhere Man
     Think For Yourself
     The Word
     Michelle

     LP Side 2
     What Goes On
     Girl
     I'm Looking Through You
     In My Life
     Wait
     If I Needed Someone
     Run For Your Life

Rubber Soul

     Capitol (S)T 2442
     December 6, 1965

     Side 1
     I've Just Seen A Face
     Norwegian Wood (This Bird Has Flown)
     You Won't See Me
     Think For Yourself
     The Word
     Michelle

     Side 2
     It's Only Love
     Girl
     I'm Looking Through You
     In My Life
     Wait
     Run For Your Life

------ charts: Billboard #1, Cash Box #1, Record World #1

"Yesterday"... And Today

     Capitol (S)T 2553
     June 15, 1966 (with Butcher Cover)
     June 20, 1966 (with steamer trunk cover)

     Side 1
     Drive My Car
     I'm Only Sleeping
     Nowhere Man
     Dr. Robert
     Yesterday
     Act Naturally

     Side 2
     And Your Bird Can Sing
     If I Needed Someone
     We Can Work It Out
     What Goes On?
     Day Tripper

------ charts: Billboard #1, Cash Box #1, Record World #1

Revolver
     Parlophone PMC 7009; PCS 7009 - August 5, 1966
     (CD) Parlophone CDP 7 46441 2 - April 30, 1987
     Capitol CLJ 46441 - July 21, 1987

     LP Side 1
     Taxman
     Eleanor Rigby
     I'm Only Sleeping
     Love You To
     Here, There and Everywhere
     Yellow Submarine
     She Said, She Said

     LP Side 2
     Good Day Sunshine
     And Your Bird Can Sing
     For No One
     Dr. Robert
     I Want To Tell You
     Got To Get You Into My Life
     Tomorrow Never Knows

Revolver

     Capitol (S)T 2576
     August 8, 1966

     Side 1
     Taxman
     Eleanor Rigby
     Love You To
     Here, There and Everywhere
     Yellow Submarine
     She Said, She Said

     Side 2
     Good Day Sunshine
     For No One
     I Want To Tell You
     Got To Get You Into My Life
     Tomorrow Never Knows

------ charts: Billboard #1, Cash Box #1, Record World #1

A Collection of Beatles Oldies

     Parlophone PMC 7016; PCS 7016
     December 10, 1966

     Side 1
     She Loves You
     From Me To You
     We Can Work It Out
     Help!
     Michelle
     Yesterday
     I Feel Fine
     Yellow Submarine

     Side 2
     Can't Buy Me Love
     Bad Boy
     Day Tripper
     A Hard Day's Night
     Ticket To Ride
     Paperback Writer
     Eleanor Rigby
     I Want To Hold Your Hand

Sgt. Pepper's Lonely Hearts Club Band



     Parlophone PMC 7027; PCS 7027 - June 1, 1967 (traditional date)
        (actually rush released May 26, 1967)
     Capitol (S)MAS 2635 - June 2, 1967
     (CD) Parlophone CDP 7 46442 2 - June 1, 1987

     LP Side 1
     Sgt. Pepper's Lonely Hearts Club Band
     With A Little Help From My Friends
     Lucy In The Sky With Diamonds
     Getting Better
     Fixing A Hole
     She's Leaving Home
     Being For The Benefit Of Mr. Kite

     LP Side 2
     Within You, Without You
     When I'm Sixty Four
     Lovely Rita
     Good Morning, Good Morning
     Sgt. Pepper's Lonely Hearts Club Band (Reprise)
     A Day In The Life

------ charts: Billboard #1, Cash Box #1, Record World #1

Magical Mystery Tour

     Capitol (S)MAL 2835 - November 27, 1967
     Parlophone PCTC 255 - November 19, 1976
     Parlophone PCTC 255 (Yellow Vinyl) - May 1979
          (Magical Mystery Tour was originally released in the
          UK as an Extended EP, (S)MMT 1, see EPs list)
     (CD) Parlophone CDP 7 48062 2 - September 21, 1987

     LP Side 1
     Magical Mystery Tour
     The Fool On The Hill
     Flying
     Blue Jay Way
     Your Mother Should Know
     I Am The Walrus

     LP Side 2
     Hello, Goodbye
     Strawberry Fields Forever
     Penny Lane
     Baby You're A Rich Man
     All You Need Is Love

------ charts: Billboard #1, Cash Box #1, Record World #1

The Beatles (a.k.a. The White Album)

     (UK) Apple PMC 7067-8; PCS 7067-8 - November 22, 1968
     (US) Apple SWBO 101 - November 25, 1968
     Capitol SEABX 11841 (White Vinyl) - August 1978
     Parlophone PCS7067/8 (White Vinyl) - 1979
     (CD) Parlophone CDP 7 46443 2; CDP 7 46444 2 - August 24, 1987

     LP Side 1/Disc 1
     Back In The U.S.S.R.
     Dear Prudence
     Glass Onion
     Ob-La-Di, Ob-La-Da
     Wild Honey Pie
     The Continuing Story of Bungalow Bill
     While My Guitar Gently Weeps
     Happiness Is A Warm Gun

     LP Side 2
     Martha My Dear
     I'm So Tired
     Blackbird
     Piggies
     Rocky Racoon
     Don't Pass Me By
     Why Don't We Do It In The Road?
     I Will
     Julia

     LP Side 3/Disc 2
     Birthday
     Yer Blues
     Mother Nature's Son
     Everybody's Got Something To Hide Except Me and My Monkey
     Sexy Sadie
     Helter Skelter
     Long, Long, Long

     LP Side 4
     Revolution 1
     Honey Pie
     Savoy Truffle
     Cry Baby Cry
     Revolution 9
     Good Night

------ charts: Billboard #1, Cash Box #1, Record World #1

Yellow Submarine

     (US) Apple SW 153 - January 13, 1969
     (UK) Apple PMC 7070; PCS 7070 - January 17, 1969
     (CD) Parlophone CDP 46445 2 - August 24, 1987

     LP Side 1
     Yellow Submarine
     Only A Northern Song
     All Together Now
     Hey Bulldog
     It's All Too Much
     All You Need Is Love

     LP Side 2
     Continuous incidental music by George Martin
          and Orchestra as played in the film.

------ charts: Billboard #2, Cash Box #3, Record World #2

Abbey Road

     (UK) Apple PCS 7088 - September 26, 1969
     (US) Apple SO 383 - October 1, 1969
     Parlophone PCS 7088 (Green Vinyl) - 1979
     (CD) Parlophone CDP 7 46446 2 - October 19, 1987

     LP Side 1
     Come Together
     Something
     Maxwell's Silver Hammer
     Oh! Darling
     Octopus's Garden
     I Want You (She's So Heavy)

     LP Side 2
     Here Comes The Sun
     Because
     You Never Give Me Your Money
     Sun King
     Mean Mr. Mustard
     Polythene Pam
     She Came In Through The Bathroom Window
     Golden Slumbers
     Carry That Weight
     The End
     Her Majesty

------ charts: Billboard #1, Cash Box #1, Record World #1

The Beatles Again

     (US) Apple SO 385 - February 23, 1970

Hey Jude

     (US) Apple SW 385 - February 26, 1970
     Parlophone PCS 7184 - May 11, 1979

     Side 1
     Can't Buy Me Love
     I Should Have Known Better
     Paperback Writer
     Rain
     Lady Madonna
     Revolution

     Side 2
     Hey Jude
     Old Brown Shoe
     Don't Let Me Down
     The Ballad Of John and Yoko

------ charts: Billboard #2, Cash Box #2, Record World #1

In the Beginning, The Beatles (the Beatles featuring Tony Sheridan; Tony Sheridan and the Beat
Brothers)

     Polydor 24-4504
     Capitol SKAO-93199 (Capito, Record Club Issue)
     May 4, 1970

     Ain't She Sweet
     Cry For a Shadow
     My Bonnie
     Take Out Some Insurance On Me, Baby
     Sweet Georgia Brown
     The Saints
     Why
     Nobody's Child
     (additional tracks by Tony Sheridan and the Beat Brothers)

------ charts: Billboard #117, Cash Box #94, Record World #139

Let It Be

     (UK) Apple PXS 1 (with book) - May 8, 1970
     (US) Apple AR 34001 - May 18, 1970
     (UK) Apple PCS 7096 (without book) - November 6, 1970
     Parlophone PCS 7096 (White Vinyl) - 1979
     (CD) Parlophone CDP 7 46447 2 - October 19, 1987

     LP Side 1
     Two Of Us
     Dig A Pony
     Across The Universe
     I Me Mine
     Dig It
     Let It Be
     Maggie Mae

     LP Side 2
     I've Got A Feeling
     One After 909
     The Long And Winding Road
     For You Blue
     Get Back

------ charts: Billboard #1, Cash Box #1, Record World #1

The Beatles 1962-1966

     (US) Apple SKBO 3403 - April 2, 1973
     (UK) Apple PCSP 717 - April 19, 1973
     Capitol SEBX 11842 (Red Vinyl) - August 1978
     Parlophone PCSPR 717 (Red Vinyl) - September 30, 1979
     (CD) Apple CDP 7 97036 2 - September 20, 1993 (UK)
                                October 5, 1993 (US)

     LP Side 1/Disc 1
     Love Me Do
     Please Please Me
     From Me To You
     She Loves You
     I Want To Hold Your Hand
     All My Loving
     Can't Buy Me Love

     LP Side 2
     A Hard Day's Night
     And I Love Her
     Eight Days A Week
     I Feel Fine
     Ticket To Ride
     Yesterday

     LP Side 3/Disc 2
     James Bond Theme  (US only)
     Help!
     You've Got To Hide Your Love Away
     We Can Work It Out
     Day Tripper
     Drive My Car
     Norwegian Wood (This Bird Has Flown)

     LP Side 4
     Nowhere Man
     Michelle
     In My Life
     Girl
     Paperback Writer
     Eleanor Rigby
     Yellow Submarine

------ charts: Billboard #3, Cash Box #1, Record World #4

The Beatles 1967-1970

     (US) Apple SKBO 3404 - April 2, 1973
     (UK) Apple PCSP 718 - April 19, 1973
     Capitol SEBX 11843 (Blue Vinyl) - August 1978
     Parlophone PCSPB 718 (Blue Vinyl) - September 30, 1979
     (CD) Apple CDP 7 97039 2 -  September 20, 1993 (UK)
                                 October 5, 1993 (US)

     LP Side 1/Disc 1
     Strawberry Fields
     Penny Lane
     Sgt. Pepper's Lonely Hearts Club Band
     With A Little Help From My Friends
     Lucy In The Sky With Diamonds
     A Day In The Life
     All You Need Is Love

     LP Side 2
     I Am The Walrus
     Hello Goodbye
     The Fool On The Hill
     Magical Mystery Tour
     Lady Madonna
     Hey Jude
     Revolution

     LP Side 3/Disc 2
     Back In The U.S.S.R.
     While My Guitar Gently Weeps
     Ob-La-Di, Ob-La-Da
     Get Back
     Don't Let Me Down
     The Ballad Of John and Yoko
     Old Brown Shoe

     LP Side 4
     Here Comes The Sun
     Come Together
     Something
     Octopus's Garden
     Let It Be
     Across The Universe
     The Long And Winding Road

------ charts: Billboard #1, Cash Box #2, Record World #1

Rock And Roll Music

     Capitol SKBO 11537 (Tracks remixed by GM) - June 7, 1976 (June 11, 1976)
     Parlophone PCSP 719 (Tracks NOT remixed) - June 10, 1976
     Parlophone MFP 50506/7 (Tracks remixed) - October 24, 1980

     Side 1
     Twist And Shout
     I Saw Her Standing There
     You Can't Do That
     I Wanna Be Your Man
     I Call Your Name
     Boys
     Long Tall Sally

     Side 2
     Rock And Roll Music
     Slow Down
     Kansas City/Hey Hey Hey Hey
     Money
     Bad Boy
     Matchbox
     Roll Over Beethoven

     Side 3
     Dizzy Miss Lizzy
     Anytime At All
     Drive My Car
     Everybody's Trying To Be My Baby
     The Night Before
     I'm Down
     Revolution

     Side 4
     Back In The U.S.S.R.
     Helter Skelter
     Taxman
     Got To Get You Into My Life
     Hey Bulldog
     Birthday
     Get Back

------ charts: Billboard #2, Cash Box #4, Record World #2

The Beatles At The Hollywood Bowl

     Capitol SMAS 11638 - May 4, 1977
     Parlophone EMTV 4 - May 6, 1977
     Music For Pleasure MFP 4156761 - September 3, 1984

     Side 1
     Twist And Shout
     She's A Woman
     Dizzy Miss Lizzy
     Ticket To Ride
     Can't Buy Me Love
     Things We Said Today
     Roll Over Beethoven

     Side 2
     Boys
     A Hard Day's Night
     Help!
     All My Loving
     She Loves You
     Long Tall Sally

------ charts: Billboard #2, Cash Box #3, Record World #7

Live at the Star Club in Hamburg, Germany, 1962, The Beatles

     Atlantic, Lingasong LS-2-7001
     June 13, 1977

     I'm Gonna Sit Right Down and Cry (Over You)
     Roll Over Beethoven
     Hippy Hippy Shake
     Sweet Little Sixteen
     Lend Me Your Comb
     Your Feet's Too Big
     Where Have You Been All My Life
     Mr. Moonlight
     A Taste of Honey
     Besame Mucho
     Til There Was You
     Kansas City / Hey Hey Hey
     Nothin' Shakin' (But the Leaves on the Trees)
     To Know Her Is to Love Her
     Little Queenie
     Falling in Love Again
     Sheila
     Be-Bop-A-Lula
     Hallelujah, I Love You So
     Red Sails in the Sunset
     Everybody's Trying To Be My Baby
     Matchbox
     I'm Talking About You
     Shimmy Shake
     Long Tall Sally
     I Remember You
 

------ charts: Billboard #111, Cash Box #183, Record World #165

Love Songs

     Parlophone PCSP 721 - November 19, 1977
     Capitol SKBL 11711 - October 21, 1977

     Side 1
     Yesterday
     I'll Follow The Sun
     I Need You
     Girl
     In My Life
     Words Of Love
     Here, There and Everywhere

     Side 2
     Something
     And I Love Her
     If I Fell
     I'll Be Back
     Tell Me What You See
     Yes It Is

     Side 3
     Michelle
     It's Only Love
     You're Going To Lose That Girl
     Every Little Thing
     For No One
     She's Leaving Home

     Side 4
     The Long And Winding Road
     This Boy
     Norwegian Wood (This Bird Has Flown)
     You've Got To Hide Your Love Away
     I Will
     P.S. I Love You

------ charts: Billboard #24, Cash Box #28, Record World #36

The Beatles Tapes (David Wigg Interviews the Beatles)

     P.B.R. International, 7005 / 7006
     1978

     (Beatles' interviews)

------ charts: Billboard #--, Cash Box #--, Record World #--

Beatle Talk (Red Robinson Interviews the Beatles)

     Northwest Music Company, GWC-4007
     November 15, 1978

     (Beatles' Press Conferences and interviews)

------ charts: Billboard #--, Cash Box #--, Record World #--

Sgt. Pepper's Lonely Hearts Club Band - Picture Disc

     Capitol SEAX 11840
     Parlophone PHO 7027
     January 1978

Abbey Road - Picture Disc

     Capitol SEAX 11900
     December 1978

The Beatles "Rarities"

     Parlophone PSLP 261 (Included with Parlophone BC 13)
     Parlophone PCM 1001
     October 12, 1979

     Side 1
     Across The Universe
     Yes It Is
     This Boy
     The Inner Light
     I'll Get You
     Thank You Girl
     Komm, Gib Mir Deine Hand
     You Know My Name (Look Up The Number)
     Sie Liebt Dich

     Side 2
     Rain
     She's A Woman
     Matchbox
     I Call Your Name
     Bad Boy
     Slow Down
     I'm Down
     Long Tall Sally

Rarities

     Capitol SHAL 12060
     March 24, 1980

     Side 1
     Love Me Do
     Misery
     There's A Place
     Sie Liebt Dich
     And I Love Her
     Help!
     I'm Only Sleeping
     I Am The Walrus

     Side 2
     Penny Lane
     Helter Skelter
     Don't Pass Me By
     The Inner Light
     Across The Universe
     You Know My Name (Look Up The Number)
     Sgt, Pepper Inner Groove

------ charts: Billboard #21, Cash Box #20, Record World #26

Rock 'n Roll Music - Volume 1

     Capitol SN-16020
     October 1980

     Twist and Shout
     I Saw Her Standing There
     You Can't Do That
     I Wanna Be Your Man
     I Call Your Name
     Boys
     Long Tall Sally
     Rock and Roll Music
     Slow Down
     Kansas City / Hey Hey Hey Hey
     Money
     Bad Boy
     MatchBox
     Roll Over Beethoven

------ charts: Billboard #--, Cash Box #--, Record World #134

Rock 'n Roll Music - Volume 2

     Capitol SN-16021
     October 1980

     Dizzy Miss Lizzy
     Anytime At All
     Drive My Car
     Everybody's Trying to Be My Baby
     The Night Before
     I'm Down
     Revolution
     Back In the U.S.S.R.
     Helter Skelter
     Taxman
     Got To Get You Back In My Life
     Hey Bulldog
     Birthday
     Get Back

------ charts: Billboard #--, Cash Box #--, Record World #137

The Beatles Ballads - 20 Original Tracks

     Parlophone PCS 7214 - October 13, 1980

     Side 1
     Yesterday
     Norwegian Wood (This Bird Has Flown)
     Do You Want To Know A Secret
     For No One
     Michelle
     Nowhere Man
     You've Got To Hide Your Love Away
     Across The Universe
     All My Loving
     Hey Jude

     Side 2
     Something
     The Fool On The Hill
     Till There Was You
     The Long And Winding Road
     Here Comes The Sun
     Blackbird
     And I Love Her
     She's Leaving Home
     Here, There and Everywhere
     Let It Be

Reel Music

     Capitol SV 12199 - March 22, 1982
     Parlophone PCS 7218 - March 29, 1982

     Side 1
     A Hard Day's Night
     I Should Have Known Better
     Can't Buy Me Love
     And I Love Her
     Help!
     You've Got To Hide Your Love Away
     Ticket To Ride
     Magical Mystery Tour

     Side 2
     I Am The Walrus
     Yellow Submarine
     All You Need Is Love
     Let It Be
     Get Back
     The Long And Winding Road

------ charts: Billboard #19, Cash Box #18, Record World #90 (then ceased publication)

The Beatles - 20 Greatest Hits

     Capitol SV 12245
     October 15, 1982

     Side 1
     She Loves You
     Love Me Do
     I Want To Hold Your Hand
     Can't Buy Me Love
     A Hard Day's Night
     I Feel Fine
     Eight Days A Week
     Ticket To Ride
     Help!
     Yesterday
     We Can Work It Out

     Side 2
     Paperback Writer
     Penny Lane
     All You Need Is Love
     Hello Goodbye
     Hey Jude
     Get Back
     Come Together
     Let It Be
     The Long And Winding Road

The Beatles - 20 Greatest Hits

     Parlophone PCTC 260
     October 18, 1982

     Side 1
     Love Me Do
     From Me To You
     She Loves You
     I Want To Hold Your Hand
     Can't Buy Me Love
     A Hard Day's Night
     I Feel Fine
     Ticket To Ride
     Help!
     Day Tripper
     We Can Work It Out

     Side 2
     Paperback Writer
     Yellow Submarine
     Eleanor Rigby
     All You Need Is Love
     Hello Goodbye
     Lady Madonna
     Hey Jude
     Get Back
     The Ballad of John and Yoko

The Early Tapes of the Beatles (the Beatles with Tony Sheridan; Tony Sheridan and the Beat
Brothers)
     (CD) Polydor/PolyGram 823 701-2
     July 20, 1987

     Ain't She Sweet
     Cry for a Shadow
     When the Saints Go Marching In
     Why
     If You Love Me, Baby
     What'd I Say
     Sweet Georgia Brown
     Let's Dance
     Ruby Baby
     My Bonnie
     Nobody's Child
     Ready Teddy
     Ya Ya (parts 1 + 2)
     Kansas City

Past Masters Volume One
     (CD) Parlophone CDP 7 90043 2
     March 8, 1988
     Love Me Do
     From Me To You
     Thank You Girl
     She Loves You
     I'll Get You
     I Want To Hold Your Hand
     This Boy
     Komm, Gib Mir Deine Hand
     Sie Liebt Dich
     Long Tall Sally
     I Call Your Name
     Slow Down
     Matchbox
     I Feel Fine
     She's A Woman
     Bad Boy
     Yes It Is
     I'm Down

Past Masters Volume Two
     (CD) Parlophone CDP 7 90044 2
     March 8, 1988
     Day Tripper
     We Can Work It Out
     Paperback Writer
     Rain
     Lady Madonna
     The Inner Light
     Hey Jude
     Revolution (Single Version)
     Get Back
     Don't Let Me Down
     The Ballad Of John And Yoko
     Old Brown Shoe
     Across The Universe
     Let It Be
     You Know My Name (Look Up The Number)

Past Masters

     Capitol/Parlophone Double LP C1 91135
     Parlophone Double LP BPM 1
     October 24, 1988

Live at the BBC

     (CD) Apple 7243 8 31796 2 6
     November 30, 1994 (UK)
     December 6, 1994 (US)

     Disc 1
     From Us To You
     I Got A Woman
     Too Much Monkey Business
     Keep Your Hands Off My Baby
     I'll Be On My Way
     Young Blood
     A Shot Of Rhythm And Blues
     Sure To Fall (In Love With You)
     Some Other Guy
     Thank You Girl
     Baby It's You
     That's All Right (Mama)
     Carol
     Soldier Of Love
     Clarabella
     I'm Gonna Sit Right Down And Cry (Over You)
     Crying, Waiting, Hoping
     You Really Got A Hold On Me
     To Know Her Is To Love Her
     A Taste Of Honey
     Long Tall Sally
     I Saw Her Standing There
     The Honeymoon Song
     Johnny B Goode
     Memphis, Tennessee
     Lucille
     Can't Buy Me Love
     Till There Was You

     Disc 2
     A Hard Day's Night
     I Wanna Be Your Man
     Roll Over Beethoven
     All My Loving
     Things We Said Today
     She's A Woman
     Sweet Little Sixteen
     Lonesome Tears In My Eyes
     Nothin' Shakin'
     The Hippy Hippy Shake
     Glad All Over
     I Just Don't Understand
     So How Come (No One Loves Me)
     I Feel Fine
     I'm A Loser
     Everybody's Trying To Be My Baby
     Rock And Roll Music
     Ticket To Ride
     Dizzy Miss Lizzy
     Kansas City/Hey! Hey! Hey! Hey!
     Matchbox
     I Forgot To Remember To Forget
     I Got To Find My Baby
     OOh! My Soul
     Don't Ever Change
     Slow Down
     Honey Don't
     Love Me Do

The Beatles Anthology 1
     (CD) Capitol/Apple CDP 7243 8 34445 2 6
     November 21, 1995

     Disc 1
     Free As A Bird
     That'll Be The Day  (The Quarrymen, 1958)
     In Spite Of All The Danger  (The Quarrymen, 1958)
     Hallelujah, I Love her So
     You'll Be Mine
     Cayenne
     My Bonnie (With Tony Sheridan, German Intro)
     Aint She Sweet
     Cry For A Shadow
     Searchin'  (Decca Audition)
     Three Cool Cats  (Decca Audition)
     The Sheik Of Araby  (Decca Audition)
     Like Dreamers Do   (Decca Audition)
     Hello Little Girl  (Decca Audition)
     Besame Mucho
     Love Me Do  (First EMI version, with Pete Best)
     How Do You Do It
     Please Please Me  (9/11/62)
     One After 909 (Sequence)  (3/5/63)
     One After 909
     Lend Me Your Comb  (BBC)
     I'll Get You  (Sunday Night At The Palladium)
     I Saw Here Standing There  (Swedish Radio, 10/63)
     From Me To You  (Swedish Radio, 10/63)
     Money (That's What I Want)  (Swedish Radio, 10/63)
     You Really Got A Hold On Me  (Swedish Radio, 10/63)
     Roll Over Beethoven  (Swedish Radio, 10/63)

     Disc 2
     She Loves You  (1963 Royal Command Performance)
     Till There Was You  (1963 Royal Command Performance)
     Twist And Shout  (1963 Royal Command Performance)
     This Boy  (The Morecambe And Wise Show, 12/63)
     I Want To Hold Your Hand  (The Morecambe And Wise Show, 12/63)
     Moonlight Bay  (The Morecambe and Wise Show, 12/63)
     Can't Buy Me Love  (take 2, Paris 1/64)
     All My Loving  (Ed Sullivan)
     You Can't Do That  (earlier take)
     And I Love Her  (take 2)
     A Hard Day's Night  (take 1)
     I Wanna Be Your Man  (Around The Beatles, 1964)
     Long Tall Sally  (Around The Beatles, 1964)
     Boys  (Around The Beatles, 1964, not broadcast)
     Shout  (Around The Beatles, 1964)
     I'll Be Back  (take 2)
     I'll Be Back  (take 3)
     You Know What To Do  (6/94)
     No Reply  (Demo)
     Mr. Moonlight  (earlier take)
     Leave My Kitten Alone
     No Reply  (take 2)
     Eight Days A Week  (Sequence)
     Eight Days A Week
     Kansas City/Hey Hey Hey Hey  (take 2)

The Beatles Anthology 2
     (CD) Capitol/Apple CDP 7243 8 34448 2 3
     March 19, 1996

     Disc 1
     Real Love
     Yes It Is  (take 2)
     I'm Down  (take 1)
     You've Got To Hide Your Love Away  (take 5)
     If You've Got Trouble
     That Means A Lot
     Yesterday  (take 1)
     It's Only Love  (take 2)
     I Feel Fine  (Blackpool Night Out)
     Ticket To Ride  (Blackpool Night Out)
     Yesterday  (Blackpool Night Out)
     Help!  (Blackpool Night Out)
     Everybody's Trying To Be My Baby  (Shea Stadium)
     Norwegian Wood (This Bird Has Flown)  (take 1)
     I'm Looking Through You  (first version)
     12-Bar Original
     Tomorrow Never Knows (Mark I, Take 1)
     Got To Get You Into My Life  (take 5)
     And Your Bird Can Sing  (take 2)
     Taxman  (take 11)

     Eleanor Rigby  (strings only)
     I'm Only Sleeping  (rehearsal)
     I'm Only Sleeping  (take 1)
     Rock And Roll Music  (Budokan)
     She's A Woman  (Budokan)

     Disc 2
     Strawberry Fields Forever  (demo sequence)
     Strawberry Fields Forever  (take 1)
     Strawberry Fields Forever  (take 7 and edit piece)
     Penny Lane  (alternate version)
     A Day In The Life  (take 2 and take 6 overdub)
     Good Morning Good Morning  (take 8)
     Only A Northern Song  (take 3)
     Being For The Benefit Of Mr. Kite!  (takes 1 and 2)
     Being For The Benefit Of Mr. Kite!  (take 7)
     Lucy In The Sky With Diamonds  (alternate version)
     Within You Without You  (instrumental)
     Sgt. Pepper's Lonely Hearts Club Band (Reprise)  (take 5)
     You Know My Name (Look Up The Number)  (long version)
     I Am The Walrus  (take 16)
     The Fool On The Hill  (demo)
     Your Mother Should Know  (take 27)
     The Fool On The Hill  (take 4)
     Hello, Goodbye  (take 16)
     Lady Madonna  (alternate version)
     Across The Universe  (take 2)

The Beatles Anthology 3
     (CD) Capitol/Apple CDP 7243 8 34451 2 7
     October 29 1996

     Disc 1
     A Beginning
     Happiness is a Warm Gun
     Helter Skelter
     Mean Mr. Mustard
     Polythene Pam
     Glass Onion
     Junk
     Piggies
     Honey Pie
     Don't Pass Me By
     Ob-La-Di, Ob-La-Da
     Good Night
     Cry Baby Cry
     Blackbird
     Sexy Sadie
     While My Guitar Gently Weeps
     Hey Jude
     Not Guilty
     Mother Nature's Son
     Glass Onion
     Rocky Raccoon
     What's The New Mary Jane
     Step Inside Love / Los Paranoias
     I'm So Tired
     I Will
     Why Don't We Do It In The Road
     Julia

     Disc 2
     I've Got A Feeling
     She Came In Through the Bathroom Window
     Dig A Pony
     Two Of Us
     For You Blue
     Teddy Boy
     Rip It Up / Shake, Rattle and Roll / Blue Suede Shoes
     The Long and Winding Road
     Oh! Darling
     All Things Must Pass
     Mailman, Bring Me No More Blues
     Get Back
     Old Brown Shoe
     Octopus's Garden
     Maxwell's Silver Hammer
     Something
     Come Together
     Come And Get It
     Ain't She Sweet
     Because
     Let It Be
     I Me Mine
     The End

Beatles 1

Beatles Greatest Hits; all previously appeared on other albums
 (CD) EMD/Capitol November 14 2000

     Love Me Do
     From Me to You
     She Loves You
     I Want to Hold Your Hand
     Can't Buy Me Love
     A Hard Day's Night
     I Feel Fine
     Eight Days a Week
     Ticket to Ride
     Help!
     Yesterday
     Day Tripper
     We Can Work It Out
     Paperback Writer
     Yellow Submarine
     Eleanor Rigby
     Penny Lane
     All You Need Is Love
     Hello Goodbye
     Lady Madonna
     Hey Jude
     Get Back
     The Ballad of John & Yoko
     Something
     Come Together
     Let It Be
     The Long and Winding Road
  



Live at BBC details:

  The Beatles Live At The B.B.C. LP photo

Highest U.S. chart position: #3
THE BEATLES LIVE AT THE B.B.C.
Released: December 6, 1994
Recorded Live: January, 1963 - May, 1965
Executive Producer: George Martin
Compiled by: George Martin
Cover Design by: Richard Ward / The Team
Label: Capitol CDP-8-31796-2

DISC ONE

   1. Beatle Greetings (speech) (0:13)
          * Recorded: October 9, 1963
          * B.B.C Radio Programme : The Public Ear
          * Broadcast: November 3, 1963
   2. From Us To You {Lennon/McCartney} (0:28)
          * Recorded: February 28, 1964 at the B.B.C Paris Theatre, London, England
          * Broadcast: Easter, Whitsun and August Bank Holidays, 1964
          * Produced by: Bryant Marriott
   3. Riding On A Bus (speech) (0:53)
          * Recorded: November 17, 1964 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Brian Matthew interview from Top Gear
          * Broadcast: November 26, 1964
          * Produced by: Bernie Andrews
   4. I Got A Woman {Ray Charles} (2:49)
          * Recorded: July 16, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 13, 1963
          * Produced by: Terry Henebery
   5. Too Much Monkey Business {Chuck Berry} (2:05)
          * Recorded: September 3, 1963 at Aeolian Hall Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: September 10, 1963
          * Produced by: Ian Grant
   6. Keep Your Hands Off My Baby {Gerry Goffin/Carole King} (2:30)
          * Recorded: January 22, 1963 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Saturday Club
          * Broadcast: January 26, 1963
          * Produced by: Bernie Andrews
   7. I'll Be On My Way {Lennon/McCartney} (1:58)
          * Recorded: April 4, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Side By Side
          * Broadcast: June 24, 1963
          * Produced by: Bryant Marriott
   8. Young Blood {Jerry Leiber/Mike Stoller/Doc Pomus} (1:57)
          * Recorded: June 1, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: June 11, 1963
          * Produced by: Terry Henebery
   9. A Shot Of Rhythm And Blues {Thompson} (2:15)
          * Recorded: August 1, 1963 at the Playhouse Theatre, Manchester, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 27, 1963
          * Produced by: Terry Henebery
  10. Sure To Fall (In Love With You) {Carl Perkins/William E. Cantrell/Quinton Claunch} (2:08)
          * Recorded: June 1, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: June 18, 1963
          * Produced by: Terry Henebery
  11. Some Other Guy {Leiber/Stoller/Barrett} (2:00)
          * Recorded: June 19, 1963 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Easy Beat
          * Broadcast: June 23, 1963
          * Produced by: Ron Belchier
  12. Thank You Girl {Lennon/McCartney} (2:02)
          * Recorded: June 19, 1963 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Easy Beat
          * Broadcast: June 23, 1963
          * Produced by: Ron Belchier
  13. Sha la la la la! (speech) (0:27)
          * Recorded: June 1, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: June 11, 1963
          * Produced by: Terry Henebery
  14. Baby It's You {Hal David/Barney Williams/Burt Bacharach} (2:44)
          * Recorded: June 1, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: June 11, 1963
          * Produced by: Terry Henebery
  15. That's All Right (Mama) {Arthur Crudup} (2:54)
          * Recorded: July 2, 1963 at Maida Vale Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 16, 1963
  16. Carol {Chuck Berry} (2:35)
          * Recorded: July 2, 1963 at Maida Vale Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 16, 1963
  17. Soldier Of Love {Cason/Moon} (2:00)
          * Recorded: July 2, 1963 at Maida Vale Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 16, 1963
  18. A Little Rhyme (speech) (0:26)
          * Recorded: July 2, 1963 at Maida Vale Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 16, 1963
  19. Clarabella {Pingatore} (2:39)
          * Recorded: July 2, 1963 at Maida Vale Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 16, 1963
  20. I'm Gonna Sit Right Down And Cry (Over You) {Joe Thomas/Howard Biggs} (2:01)
          * Recorded: July 16, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 6, 1963
          * Produced by: Terry Henebery
  21. Crying, Waiting, Hoping {Buddy Holly} (2:10)
          * Recorded: July 16, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 6, 1963
          * Produced by: Terry Henebery
  22. Dear Wack! (speech) (0:42)
          * Recorded: July 30, 1963 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Saturday Club
          * Broadcast: August 24, 1963
          * Produced by: Bernie Andrews
  23. You Really Got A Hold On Me {William Robinson} (2:37)
          * Recorded: July 30, 1963 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Saturday Club
          * Broadcast: August 24, 1963
          * Produced by: Bernie Andrews
  24. To Know Her Is To Love Her {Phil Spector} (2:50)
          * Recorded: July 16, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 6, 1963
          * Produced by: Terry Henebery
  25. A Taste Of Honey {Ric Marlow/Bobby Scott} (1:57)
          * Recorded: July 10, 1963 at Aeolian Hall Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 23, 1963
          * Produced by: Terry Henebery
  26. Long Tall Sally {Enotris Johnson/Richard Penniman/Robert Blackwell} (1:53)
          * Recorded: July 16, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 13, 1963
          * Produced by: Terry Henebery
  27. I Saw Her Standing There {McCartney/Lennon} (2:32)
          * Recorded: October 16, 1963 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Easy Beat
          * Broadcast: October 20, 1963
          * Produced by: Ron Belchier
  28. The Honeymoon Song {Theodorakis/Sansom} (1:39)
          * Recorded: July 16, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 6, 1963
          * Produced by: Terry Henebery
  29. Johnny B. Goode {Chuck Berry} (2:51)
          * Recorded: January 7, 1964 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Saturday Club
          * Broadcast: February 15, 1964
          * Produced by: Bernie Andrews
  30. Memphis, Tennessee {Chuck Berry} (2:13)
          * Recorded: July 10, 1963 at Aeolian Hall Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 30, 1963
          * Produced by: Terry Henebery
  31. Lucille {Albert Collins/Richard Penniman} (1:49)
          * Recorded: September 7, 1963 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Saturday Club
          * Broadcast: October 5, 1963
          * Produced by: Bernie Andrews
  32. Can't Buy Me Love {McCartney/Lennon} (2:07)
          * Recorded: February 28, 1964 at the Piccadilly Theatre, London, England
          * B.B.C Radio Programme : From Us To You
          * Broadcast: March 30, 1964
          * Produced by: Bryant Marriott
  33. From Fluff To You (speech) (0:28)
          * Recorded: February 28, 1964 at the Piccadilly Theatre, London, England
          * B.B.C Radio Programme : From Us To You
          * Broadcast: March 30, 1964
          * Produced by: Bryant Marriott
  34. Till There Was You {Meredith Wilson} (2:13)
          * Recorded: February 28, 1964 at the Piccadilly Theatre, London, England
          * B.B.C Radio Programme : From Us To You
          * Broadcast: March 30, 1964
          * Produced by: Bryant Marriott

    * Disc One total playing time 65:07



DISC TWO

   1. Crinsk Dee Night (speech) (1:04)
          * Recorded: July 14, 1964 at the Broadcasting House, London, England
          * B.B.C Radio Programme : Top Gear
          * Broadcast: July 16, 1964
          * Produced by: Bernie Andrews
   2. A Hard Day's Night {Lennon} (2:24)
          * Recorded: July 14, 1964 at the Broadcasting House, London, England
          * B.B.C Radio Programme : Top Gear
          * Broadcast: July 16, 1964
          * Produced by: Bernie Andrews
   3. Have A Banana! (speech) (0:22)
          * Recorded: July 14, 1964 at the Broadcasting House, London, England
          * B.B.C Radio Programme : Top Gear
          * Broadcast: July 16, 1964
          * Produced by: Bernie Andrews
   4. I Wanna Be Your Man {McCartney/Lennon} (2:09)
          * Recorded: February 28, 1964 at the Piccadilly Theatre, London, England
          * B.B.C Radio Programme : From Us To You
          * Broadcast: March 30, 1964
          * Produced by: Bryant Marriott
   5. Just A Rumour (speech) (0:20)
          * Recorded: February 28, 1964 at the Piccadilly Theatre, London, England
          * B.B.C Radio Programme : From Us To You
          * Broadcast: March 30, 1964
          * Produced by: Bryant Marriott
   6. Roll Over Beethoven {Chuck Berry} (2:16)
          * Recorded: February 28, 1964 at the Piccadilly Theatre, London, England
          * B.B.C Radio Programme : From Us To You
          * Broadcast: March 30, 1964
          * Produced by: Bryant Marriott
   7. All My Loving {McCartney} (2:04)
          * Recorded: February 28, 1964 at the Piccadilly Theatre, London, England
          * B.B.C Radio Programme : From Us To You
          * Broadcast: March 30, 1964
          * Produced by: Bryant Marriott
   8. Things We Said Today {McCartney} (2:18)
          * Recorded: July 14, 1964 at the Broadcasting House, London, England
          * B.B.C Radio Programme : Top Gear
          * Broadcast: July 16, 1964
          * Produced by: Bernie Andrews
   9. She's A Woman {McCartney/Lennon} (3:15)
          * Recorded: November 17, 1964 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Top Gear
          * Broadcast: November 26, 1964
          * Produced by: Bernie Andrews
  10. Sweet Little Sixteen {Chuck Berry} (2:21)
          * Recorded: July 10, 1963 at Aeolian Hall Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 23, 1963
          * Produced by: Terry Henebery
  11. 1822! (speech) (0:10)
          * Recorded: July 10, 1963 at Aeolian Hall Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 23, 1963
          * Produced by: Terry Henebery
  12. Lonesome Tears In My Eyes {J. Burnette/D. Burnette/Burlison/Mortimer} (2:36)
          * Recorded: July 10, 1963 at Aeolian Hall Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 23, 1963
          * Produced by: Terry Henebery
  13. Nothin' Shakin' {Cirino Calacrai/Eddie Fontaine/Dianne Lampert/Jack Cleveland} (2:59)
          * Recorded: July 10, 1963 at Aeolian Hall Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 23, 1963
          * Produced by: Terry Henebery
  14. The Hippy Hippy Shake {Chan Romero} (1:49)
          * Recorded: July 10, 1963 at Aeolian Hall Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 30, 1963
          * Produced by: Terry Henebery
  15. Glad All Over {Bennett/Tepper/Schroeder} (1:52)
          * Recorded: July 16, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 20, 1963
          * Produced by: Terry Henebery
  16. I Just Don't Understand {Wilkin/Westberry} (2:47)
          * Recorded: July 16, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 20, 1963
          * Produced by: Terry Henebery
  17. So How Come (No One Loves Me) {Bryant} (1:53)
          * Recorded: July 10, 1963 at Aeolian Hall Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 23, 1963
          * Produced by: Terry Henebery
  18. I Feel Fine {Lennon} (2:13)
          * Recorded: November 17, 1964 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Top Gear
          * Broadcast: November 26, 1964
          * Produced by: Bernie Andrews
  19. I'm A Loser {Lennon} (2:33)
          * Recorded: November 17, 1964 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Top Gear
          * Broadcast: November 26, 1964
          * Produced by: Bernie Andrews
  20. Everybody's Trying To Be My Baby {Carl Perkins} (2:21)
          * Recorded: November 25, 1964 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Saturday Club
          * Broadcast: December 26, 1964
          * Produced by: Bernie Andrews
  21. Rock And Roll Music {Chuck Berry} (2:01)
          * Recorded: November 25, 1964 at the Playhouse Theatre, London, England
          * B.B.C Radio Programme : Saturday Club
          * Broadcast: December 26, 1964
          * Produced by: Bernie Andrews
  22. Ticket To Ride {Lennon} (2:56)
          * Recorded: May 26, 1965 at the Piccadilly Theatre, London, England
          * B.B.C Radio Programme : The Beatles Invite You To Take A Ticket To Ride
          * Broadcast: June 6, 1965
          * Produced by: Keith Bateson
  23. Dizzy Miss Lizzy {Larry Williams} (2:42)
          * Recorded: May 26, 1965 at the Piccadilly Theatre, London, England
          * B.B.C Radio Programme : The Beatles Invite You To Take A Ticket To Ride
          * Broadcast: June 6, 1965
          * Produced by: Keith Bateson
  24. Kansas City {Jerry Leiber/Mike Stoller}
      / Hey, Hey, Hey, Hey! {Richard Penniman} (2:38)
          * Recorded: July 16, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 6, 1963
          * Produced by: Terry Henebery
  25. Set Fire To That Lot! (speech) (0:27)
          * Recorded: July 10, 1963 at Aeolian Hall Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 30, 1963
          * Produced by: Terry Henebery
  26. Matchbox {Carl Perkins} (1:57)
          * Recorded: July 10, 1963 at Aeolian Hall Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 30, 1963
          * Produced by: Terry Henebery
  27. I Forgot To Remember To Forget {Kesler/Feathers} (2:09)
          * Recorded: May 1, 1964 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : From Us To You
          * Broadcast: May 18, 1964
          * Produced by: Bryant Marriott
  28. Love These Goon Shows! (speech) (0:27)
          * Recorded: June 1, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: June 11, 1963
          * Produced by: Terry Henebery
  29. I Got To Find My Baby {Chuck Berry} (1:56)
          * Recorded: June 1, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: June 11, 1963
          * Produced by: Terry Henebery
  30. Ooh! My Soul {Richard Penniman} (1:37)
          * Recorded: August 1, 1963 at the Playhouse Theatre, Manchester, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 27, 1963
          * Produced by: Terry Henebery
  31. Ooh! My Arms (speech) (0:35)
          * Recorded: August 1, 1963 at the Playhouse Theatre, Manchester, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 27, 1963
          * Produced by: Terry Henebery
  32. Don't Ever Change {Gerry Goffin/Carole King} (2:02)
          * Recorded: August 1, 1963 at the Playhouse Theatre, Manchester, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 27, 1963
          * Produced by: Terry Henebery
  33. Slow Down {Larry Williams} (2:36)
          * Recorded: July 16, 1963 at the B.B.C. Paris Theatre, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: August 20, 1963
          * Produced by: Terry Henebery
  34. Honey Don't {Carl Perkins} (2:12)
          * Recorded: August 1, 1963 at the Playhouse Theatre, Manchester, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: September 3, 1963
          * Produced by: Ian Grant
  35. Love Me Do {McCartney/Lennon} (2:30)
          * Recorded: July 10, 1963 at Aeolian Hall Studios, London, England
          * B.B.C Radio Programme : Pop Go The Beatles
          * Broadcast: July 23, 1963
          * Produced by: Terry Henebery

    * Disc Two total playing time 68:33

 
 


Yellow Submarine SOundtrack re-release 1999 1. Yellow Submarine 2. Hey Bulldog 3. Eleanor Rigby 4. Love You To 5. All Together Now 6. Lucy in the Sky with Diamonds 7. Think for Yourself 8. Sgt. Pepper's Lonely Hearts Club Band 9. With a Little Help from My Friends 10. Baby You're a Rich Man 11. Only a Northern Song 12. All You Need Is Love 13. When I'm Sixty-Four 14. Nowhere Man 15. It's All Too Much


================================================================================================================


FROM GROVE

Beatles, the. English pop group.
Ringo Starr (Richard Starkey; b Liverpool, 7 July 1940; drums, voice), john Lennon (John Winston Lennon; b Liverpool, 9 Oct 1940; d New York, 8 Dec 1980; rhythm guitar, keyboards, harmonica, voice), paul McCartney (James Paul McCartney; b Liverpool, 18 June 1942; bass guitar, keyboards, lead guitar, drums, voice), George Harrison (b Liverpool, 25 Feb 1943; d Los Angeles, 29 Nov 2001; lead guitar, sit?r, keyboards, voice).

1. Career.

Originating in Liverpool, the Beatles evolved from an amateur teenage skiffle group, the Quarry Men, formed by Lennon in 1956 and named after his school, Quarry Bank High. McCartney joined the Quarry Men in July 1957, Harrison in March 1958. In August 1960, Lennon, McCartney and Harrison - together with Stuart Sutcliffe (b Edinburgh, 23 June 1940; d Hamburg, 10 April 1962; bass guitar), and Pete Best (b Madras, 24 Nov 1941; drums) - became the Beatles. Between then and November 1962 the group played many one-off gigs in and around Liverpool, and also, with decisive effect on their development as performers, four extended residencies at various clubs in Hamburg's red-light Reeperbahn district. Sutcliffe, a talented painter, left in December 1961, being replaced on bass by McCartney, who until then had played guitar and piano. In November 1961 a Liverpool music shop owner, Brian Epstein (b Liverpool, 19 Sept 1934; d London, 26/7 Aug 1967), heard the Beatles at the Cavern, a local ‘beat’ club in which they played the greatest number of their pre-1963 British gigs. Becoming their manager, he set about securing the group a recording contract, at which he succeeded in June 1962 with Parlophone, a subsidiary of the EMI label run by the producer george Martin . The rawness of the Beatles’ performing talent, which six months earlier had made Decca reject them, appealed to Martin, although he was then doubtful of their song-writing. Replacing Best with Starr on drums, he encouraged Lennon and McCartney, the group’s chief composers, to write with more concentration, pointing out to them simple structural devices such as commencing with the chorus (the main selling-point of most pop songs). The Beatles responded by developing at remarkable speed. Their second release, Please please me (Parlophone, 1963), rose to number one in the British singles chart and their commercial success thereafter was continuous. The group’s tours of Britain in 1963 created an unprecedented excitement (‘Beatlemania’) which was reproduced in the USA when, on 9 February 1964, they appeared on national television singing their fifth single I want to hold your hand (Parlophone, 1963) to an estimated audience of 70 million, an event unanimously identified by social commentators as a turning-point in postwar American culture. In the months after this breakthrough, the Beatles dominated the American singles charts, at one stage occupying the top five positions, a feat unheard of before and since. There were around three and a half million advance orders in Britain and America for the group’s sixth single Can't buy me love (1964). During 1964-5 the Beatles built on their success with a sequence of bestselling singles and LPs and two feature films: A Hard Day’s Night (1964) and Help! (1965). However, by the end of 1965, owing about equally to the visionary influence of Bob Dylan and the accelerating popularity among pop musicians of marijuana, the international pop scene began to advance from the straightforward energy and good humour of ‘beat music’ towards a greater formal and emotional complexity. Aware that they needed to regenerate themselves stylistically, the Beatles toyed uncertainly with ‘comedy songs’ and idiosyncratic variations on soul music in their transitional LP Rubber Soul (Parlophone, 1965). Only in early 1966, with the appearance of the counterculture and its associated drug the powerful hallucinogen LSD, did they identify their way forward: a new type of pop music which exploited the techniques of the recording studio to create unprecedented forms and textures in the service of an imaginative exploration of consciousness and childhood memories. With their groundbreaking LPs Revolver (Parlophone, 1966) and Sgt Pepper’s Lonely Hearts Club Band (Parlophone, 1967), the Beatles eclipsed even their most gifted rivals, achieving an eminence in contemporary popular culture which has endured and seems unlikely to diminish to any great extent in the foreseeable future. This work, together with the best of their 1962-5 output and liberal selections from their later releases, such as Magical Mystery Tour (Parlophone, 1967), The Beatles (Apple, 1968), and Abbey Road (Apple, 1969), constitutes the Beatles’ claim on posterity: this claim has to date provoked a literature of over 400 books. After Epstein’s death in August 1967, the group gradually lost direction, the underlying conflicts between its otherwise intensely cohesive members souring the atmosphere in EMI’s Abbey Road studio and the tone of much of the work they did there during 1968-70. Despite this, they carried on, recording around 80 more tracks, albeit that these were increasingly individual efforts, written and sometimes even recorded solo. During this period Harrison emerged alongside Lennon and McCartney as a writer of worthy songs, one of which, Something (Apple, 1969) became the Beatles’ second most recorded number after McCartney's Yesterday (Parlophone, 1965). Divisiveness, caused largely by the process of growing up and getting married, eventually broke the group, a process painfully visible in their final film Let It Be (1970). After rallying with their last LP, Abbey Road, the Beatles, to the chagrin of their tens of millions of fans around the world, split up, each of them from then on continuing as a soloist. Little the ex-Beatles did (amounting to around 60 LPs) compares with the music they recorded together during the 1960s. Two ‘reunion’ records, made in 1994-5 by matching McCartney, Harrison and Starr to demo tracks informally taped by Lennon during the late 1970s, failed to rise to the standards attained by the Beatles in their original guise. Notwithstanding this, their Anthology video and compact disc series (the latter comprising 145 previously unissued out-takes and alternative mixes) achieved massive commercial success during 1995-6, when, without playing concerts or recording more than a handful of new notes, the Beatles registered among the world's highest-selling popular artists, earning around £100 million.

2. Works.

Since none of the Beatles could read music, arrangements beyond the basic four-piece were supplied by Martin, a graduate of the Guildhall School of Music. He has painstakingly refuted the suggestion, made by some classical critics, that he was the real creative genius behind the Beatles; on the contrary, he insists, he worked only to their original designs and to their specific requests, even to details of arrangements which they sang to him and which he often transcribed on the spot in the studio. Where Martin was important to the Beatles was in suggesting improvements in the form of their early songs (improvements they quickly came to incorporate independently into their writing) and later in guiding them in the selection of instrumental and electronic textures hitherto unused in pop music. Benign and self-effacing, his mode of cultivation was that of a man schooled in orthodox musicianship who delighted in, and was occasionally awed by, the untutored novelties with which the Beatlesâ?™ music naturally abounded. Together with his innovative engineer Geoff Emerick, Martin endeavoured to give the Beatles a productive base within the primitive and often exasperating restrictions of the studio technology of the time and of Abbey Road in particular.

Although Starr contributed one or two songs to the Beatles’ canon, they are negligible, the main source of the group’s original material being the Lennon-McCartney partnership, supplemented, to the tune of something around a tenth of the Beatles’ output, by Harrison. Unlike orthodox songwriting partnerships, in which one writes the music and the other the words, ‘Lennon-McCartney’ was a trademark for a pair of independent songwriters who happened to work similarly enough to collaborate, when the occasion arose, in several ways - ranging from bar-by-bar co-composition to supplying sections or lines for otherwise finished songs which each brought to their regular formal three-hour ‘writing sessions’.

Musicologists, rarely acquainted with the musical context in which the Beatles arose and developed, often misconstrue the structural attributes of their music, invoking inapposite parallels with, for example, Schubert and Mahler. Certainly it is true, as William Mann pointed out in The Times in 1963, that an early song by Lennon contains Aeolian cadences, yet these were not wittingly, let alone purposefully, put there by their author. They are thus, at best, of secondary significance in diagnosing the traits of the Beatles’ style (if such a homogeneous entity may be deemed to exist). While more than a little of the group’s music has a modal flavour, this was never consciously cultivated as it was, for instance, in a more serious context by Vaughan Williams; rather, it points to that part of the Beatles’ inheritance which derives from Anglo-Celtic folk music, a source which also prompted Lennon and McCartney’s taste for harmonizing in 4ths and 5ths (thereby to some extent guiding their choice of chords during collaborative composition, with a knock-on impact on their separate writing). Exceedingly eclectic, the Beatles were ‘folk musicians’ who, via the media of radio and gramophone, were inspired to music, and thence to songwriting, by a dense complex of vernacular influences. These included the show music of Broadway and Hollywood, British music hall and variety, blues, folk-blues, rhythm-and-blues, skiffle, rock and roll, gospel, doo-wop, soul music, the teenage pop genre created by British and American writer-producer teams during 1957-64, and, later in their career, the linear r?ga forms of Hindustani classical music and the musique concrète of Schaeffer and Stockhausen. Perhaps the most influential of any discretely identifiable idiom on the Beatles as songwriters was the prolific output of the black Detroit pop label Tamla Motown, which gave them many early hints as to harmonic schemes, song lay-outs, arrangements (particularly rhythm-section parts), and formulae for lyric and melodic expression. (The group, it should be said, were candid in conceding to such borrowings, giving general credit where it was due, although, for obvious reasons, never being absolutely specific as to bars or phrases.)

Beyond these influences, the Beatles were adept and unusually exacting in the ways in which they shaped and elaborated their musical ideas. Self-taught by ear and schooled in the memory-intensive genre of jobbing pop, they were alive to the virtues of the unexpected and composed their songs with scant regard for harmonic orthodoxy. Always on the lookout for unusual changes, they frequently created these by moving their hands speculatively around piano or guitar, or by exploiting the scale- and arpeggio-generating possibilities of retuning the latter. Each, moreover, had a different personal style. McCartney, a natural melodist, voiced his romantic-sentimental optimism in wide-ranging tunes, capable of being sung or whistled without chordal support. Coincidentally, his harmonic designs are the most elegant in the Beatles’ repertory, often evincing a classical cadential grace and formal poise. A realist by temperament, Lennon preferred lines close to the narrow span of speech-inflections, relying on harmonic context to give these colour and emotional power. If not the most melodic, then certainly the most original of the songwriting Beatles, he wrote almost as many hit records as McCartney, in many cases succeeding through sheer immediacy of feeling. Harrison, too, depended on harmonic rather than melodic inspiration, working from chord-sequence to melody, although later (e.g. Something), emancipating himself, through the influence of r?ga scales, into a more melodic, McCartneyesque, style. Together these three writers amounted to a formidable body of creative talent no rival pop group has come close to matching.

It is difficult to overestimate the Beatles’ impact and influence. Purely in terms of pop, they invented the idiom as later generations came to know it, revolutionizing pop songwriting, studio production, video promotion, general presentation and instrumental styles. As one of the two or three most influential bass-players in his field, a fluent pianist, an inventive drummer, and the performer of a handful of the genre’s most striking guitar solos, McCartney remains pop’s leading multi-instrumentalist; Starr’s direct and propulsive style, distinctively unorthodox fills and novel drum sounds have made him a significant influence on modern rock drumming. Beyond these accomplishments, the Beatles dominated and defined their time, reflecting every culturally significant shift in their kaleidoscopic decade in ways so acute, and at times prescient, that it occasionally seemed to their contemporaries that the group themselves caused some of the major social changes of the 1960s. In fact this was not so, but it is a testament to the scale of their real achievements that a quartet of popular musicians should be credited with so fundamental a contribution to late 20th-century culture.

BIBLIOGRAPHY

M. Braun: Love Me Do: the Beatles’ Progress (Harmondsworth, 1962/R) B. Epstein with D. Taylor: A Cellarful of Noise (Garden City, NY, 1964, 2/1965) D. Cooke: ‘The Lennon-McCartney Songs’, The Listener (1 Feb 1968) H. Davies: The Beatles: the Authorised Biography (London, 1968, 3/1992) N. Rorem: ‘The Music of the Beatles’, New York Review of Books (18 Jan 1968) P. McCabe and R.D. Schonfield: Apple to the Core: the Unmaking of the Beatles (London, 1972) W. Mellers: Twilight of the Gods: the Beatles in Retrospect (London, 1973) J. Wenner: Lennon Remembers: the Rolling Stone Interviews (London, 1973) D. Sheff and G.B. Golson: The Playboy Interviews with John Lennon and Yoko Ono (New York, 1981) P. Norman: Shout! The Beatles in their Generation (London, 1982) R. DiLello: The Longest Cocktail Party: an Insider’s View of the Beatles (Detroit, 1983) R. Coleman: John Winston Lennon, 1940-1966 (London, 1984) R. Coleman: John Ono Lennon, 1967-1980 (London, 1984) P. Shotton with N. Schaffner: John Lennon in my Life (London, 1984) J. Wiener: Come Together: John Lennon in his Time (London, 1984) P. Best and P. Doncaster: Beatle! The Pete Best Story (London, 1985) C. Salewicz: McCartney (New York, 1986) D. Taylor: It was Twenty Years Ago Today (London, 1987) M. Lewisohn: The Complete Beatles Recording Sessions (London, 1988) W. McKeen: The Beatles: a Bio-Bibliography (Westport, CT, 1989) M. Lewisohn: The Complete Beatles Chronicle (London, 1992) I. MacDonald: Revolution in the Head: the Beatles’ Records and the Sixties (London, 1994, 2/1997) G. Martin with W. Pearson: Summer of Love: the Making of Sgt. Pepper (London, 1994) B. Miles: Paul McCartney: Many Years from Now (London, 1997) A.F. Moore: The Beatles: Sgt. Pepper’s Lonely Hearts Club Band (Cambridge, 1997) © Macmillan Publishers Ltd , 2001-2002 How to cite grovemusic.com The New Grove Dictionary of Music Online --


=================================


Duration         Title
04.09.1962    -    30.04.1963         Please Please Me*
01.05.1963    -    30.11.1963         With The Beatles
01.12.1963    -    30.06.1964         A Hard Day's Night
01.07.1964    -    31.01.1965         Beatles For Sale
01.02.1965    -    31.08.1965         Help!
01.09.1965    -    31.03.1966         Rubber Soul
01.04.1966    -    31.10.1966         Revolver
01.11.1966    -    30.04.1967         Sgt Pepper's Lonely Hearts Club Band*
01.05.1967    -    31.03.1968         Magical Mystery Tour / Yellow Submarine*
01.04.1968    -    31.10.1968         The Beatles (White Album)
01.11.1968    -    31.01.1969         Let It Be (Get Back)*
01.02.1969    -    03.01.1970         Abbey Road*

     Table 1: The recording projects according to the modified
chronological division by Eerola (1997)



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